Boston Piano Competition
- Piano Competition In Boston
- Boston Piano Competition 2020
- Boston Piano Competition 2019
- Boston International Piano Competition
- Boston Amateur Piano Competition
WICKED LOCAL – Fifteen of the 56 contestants in the 10th Boston International Piano Competition hail from Massachusetts, including Cambridge, Acton, Somerville, Wellesley and other local towns. The contest is organized by Boston Piano Amateurs Association, based in Northborough, and its treasurer, Dr. Robert Berkowitz, hails from Natick and played in the very first competition in 2001. This year’s competition will be held June 5-8 at the Longy School of Music in Cambridge. Performances and awards ceremonies are free and open to the public.
The competition is divided into gold and silver “streams.” Each stream features two to three rounds, judged by a jury panel of celebrity concert pianists and educators. Special prizes are awarded for the best performances of romantic, classical, baroque, and modern piano pieces, as well as an audience prize, selected by audience ballot. The competition will also webcast live to the worldwide audience via the nonprofit organization’s website.
About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features Press Copyright Contact us Creators. Boston’s innovative “wide tail” design permits a 5'10' Boston grand the same soundboard area as a typical 6'2' grand piano, creating the power, richness and feel of playing a much larger instrument. Superior wood, excellent sound. Each Boston soundboard is crafted of solid Sitka spruce, long proven to be the most resonant material available.
The organization’s founder and president, Robert Finley, of Northborough, recently answered questions about the competition and his organization:
Q: Why is the Boston International Piano Competition (BIPC) important to Boston-area music and entertainment?
A: Audiences enjoy the excitement and suspense of music competitions, especially when participating contestants are gathered from all over the world. BIPC’s audiences are a great incentive for competitive pianists to intensely prepare for their recital programs, study with exceptional teachers, and play to the best of their ability to share their love of music. The contestant’s performances are enjoyed by those present in person, as well as a worldwide audience via a live webcast throughout the competition. These performing artists also serve as students for many of the excellent Boston area piano teachers.
Q: What should a competition attendee expect from the competition rounds from the audience?
A: Anyone who loves music should attend, whether they are professional or amateur pianists, music teachers, students, or those who don’t play but just like to listen. Performers from around the world compete in the first two days of preliminaries. The later rounds always feature some magnificent performances in semifinals and finals, comparable to performances by famous professional pianists.
BIPC’s audiences enjoy a huge variety of music from diverse genres including baroque, classical, romantic, impressionist, modern, etc. Listeners enjoy music from the very familiar to works they’ve never before heard. Some find it interesting to hear the same piece performed by several competitors, showcasing their very distinctive styles of playing.
10th Boston International Piano Competition
WHEN: June 5-8
WHERE: Longy School of Music, Edward M. Pickman Concert Hall, 27 Garden St., Cambridge
Preliminary Round: June 5-6, 12:15-8:30 p.m.
Silver Stream Finals, Gold Stream Semifinals: June 7, 1:30-8 p.m.
Gold Stream Finals: June 8, 1:30-5 p.m.
ADMISSION: Free
INFO: bostonpianoamateurs.org; longy.edu
Q: What type of competitor does BIPC draw, are there local participants?
A: The competition draws amateur performing artists who are passionate about playing the piano and who love music. They are all career professionals, making their living as doctors, engineers, lawyers, accountants, teachers and the like. Though the pianists are not playing as their first career, they enjoy this rich facet of their lifestyle musically and socially. They each experience triumphs and disappointments as they build their competition resume, challenging themselves to give their best performances possible.
About 15 contestants local to the Boston region will compete this year, among a total 56 participants. Some have competed in BIPC in prior years, and for others it is their BIPC debut, several being members of Boston Piano Amateurs Association.
Q: Why was the Boston International Piano Competition founded?
A: Boston Piano Amateurs Association Inc. (BPAA), the creator of the Boston International Piano Competition, is a nonprofit organization founded in 2001 to organize piano competitions for highly talented amateur pianists. In addition to biennial piano competitions, BPAA organizes informal recital “soirees” in homes across the greater Boston area, master classes taught by expert celebrity piano educators, and formal piano recitals. BPAA’s mission enriches the cultural life of our greater community, increasing its interest in classical music, while providing opportunities for talented amateur pianists to perform to appreciative audiences.
Benefactor[edit]
The name Peabody Mason comes from Miss Fanny Peabody Mason, who until her death in 1948 was an active patron of music both in the United States and abroad. Her musical interests were piano, singing and chamber music.
Concert series premiere[edit]
The Peabody Mason Concerts were inaugurated in 1891 with a performance by Ferruccio Busoni.[1] The inaugural concert took place in the Mason music room, which had not been used by the family since the death of Miss Mason's mother.
In the years that followed, at her homes in Boston and in Paris, in Beverly on the North Shore and on her two-thousand-acre (8 km²) estate in Walpole, New Hampshire, Miss Mason continued to offer recitals by Ignacy Paderewski,[1]Arthur Rubinstein,[1] the Alfred Cortot-Jacques Thibaud-Pablo Casals trio, Emma Calvé, Maggie Teyte, the Nadia Boulanger Chamber Ensemble, Alexander Brailowsky, Egon Petri[1] and Earl Wild, among many others. In 1945, in Cambridge, Massachusetts, she gave a festival of Fauré’s music, including his opera Pénélope in concert form as a centennial commemoration of the birth of Gabriel Fauré. Miss Mason also commissioned Bohuslav Martinu’s Quintet for Piano and Strings, which was performed at her Boston residence at 211 Commonwealth Avenue in the presence of the composer.[1]
The artist for many of the concerts presented by Miss Mason was pianist Paul Doguereau. Doguereau organized the commemorative Fauré Festival and was also the pianist for the performance of the Martinu Piano Quintet. First-prize recipient in piano at the Paris Conservatory, Doguereau studied under several eminent musicians including Emil von Sauer, Egon Petri, Ignaz Paderewski and Maurice Ravel. He concertized in Europe and North America and devoted much of his time to organizing the Peabody Mason concerts.
Passing The Torch[edit]
In her later years, Miss Mason transferred more of the responsibilities to her friend, pianist Paul Doguereau. They had often discussed presenting classical music at its best as a gift to general audiences. Upon her death in 1948, Miss Mason left a trust for musical enterprises under Mr. Doguereau’s direction. The Peabody Mason concerts continued to faithfully reflect the aspirations and purposes of Miss Mason.
In 1950, the Peabody Mason concerts were re-dedicated to the ideal of presenting established artists as well as young artists in concert. In keeping with this aim, the concerts that followed from 1950 to 1985 featured some of the world’s most celebrated musicians.
Piano Competition In Boston
In April 1950, the re-dedicated Peabody Mason concerts began its first series with the Boston debut of the Juilliard String Quartet. During the first year, excerpts were given from Henry Purcell’s opera The Fairy Queen, conducted by Daniel Pinkham, who was in the early stages of his career, with Phyllis Curtin, a rising opera star at the time who sang the title role. As part of the same program, Pinkham conducted his own composition, a concertino for small orchestra and piano, composed for and dedicated to Paul Doguereau, the soloist.
The concerts took place in Sanders Theater and in Paine Hall in Cambridge, and in Jordan Hall and at the Gardner Museum in Boston. Under the auspices of Peabody Mason, concerts were also given at Columbia University and Alice Tully Hall in New York City, Brown University in Providence and at the American Academy of Arts and Sciences in Brookline.
Boston Piano Competition 2020
Appearing during the years since the re-dedication of the Peabody Mason concerts were the Boston/Cambridge debut recitals of pianists Glenn Gould, Maurizio Pollini, Horacio Gutierrez, Nelson Freire, Gerhard Oppitz, Antonio Barbosa, Ronald Turini and Pascal Devoyon; baritone Dietrich Fischer-Dieskau,[2]Gérard Souzay and Håkan Hagegård; harpsichordist Rafael Puyana; sopranos Régine Crespin and Elly Ameling; guitarist Julian Bream; the New York Pro Musica with Noah Greenberg, conductor; the Quartetto di Roma, the Quintetto Chigiano and the Trio Pasquier. These are only several of many distinguished debut performances.
Returning to the Boston area to give Peabody Mason concerts were guitarist Julian Bream; flutist Jean-Pierre Rampal; violinist Joseph Fuchs; pianists Guiomar Novaes, Earl Wild, Alicia de Larrocha, Andre Watts, Maurizio Pollini, Georg Demus, Paul Badura-Skoda, Noël Lee, Andrew Rangell, Eugen Indjic and Misha Dichter; mezzo-sopranos Dame Janet Baker and Teresa Berganza; and renowned ensembles such as the Berlin Philharmonic Octet, the Hungarian String Quartet, the Virtuosi di Roma, the Stuttgart Orchestra, the Lukas Foss Improvisation Chamber Ensemble, the Emerson String Quartet and the New York Vocal Arts Ensemble. Among well-known Boston artists, Donna Roll performed a lieder recital and pianist Luise Vosgerchian gave a concert of chamber music with the violinist Emanuel Borok. These performances were but a few from a long list of illustrious artists who appeared in the Peabody Mason concerts.
The Legacy Continues[edit]
In 1995, the trust was gifted to the Boston Symphony Orchestra,[3] although Doguereau’s adopted son, Dr. Harrison Slater Wignall, continued to present outstanding artists in his Boston home at 192 Commonwealth Avenue in the years after Paul Doguereau’s death and up until his death in 2017.[3][4][5][6] Artists at Slater’s concerts included: David Korevaar; Sergey Schepkin; Richard Bosworth; Janice Weber; Ian Lindsey, Marcus Thompson, Igor Lovchinsky; Laura Villafranca; Stephen Porter; cellist Francesco Vila; Joel Cohen and Anne Azéma of the Boston Camerata; tenor Zachary Stains; Joanna Kurkowitz; and Oleksandr Poliykov. On April 6, 2017 Dr. Harrison Slater Wignall died at his residence in Mt. Holly, NJ at the age of 66. The Paul Doguereau and Slater Wignall Peabody Mason legacy ended with Slater Wignall's death.
Peabody Mason International Piano Competition[edit]
Boston Piano Competition 2019
In recent years, Peabody Mason has also held a piano competition. In the past, the winner received a yearly stipend plus a New York City and a Boston recital. The first Peabody Mason International Piano Competition was held in 1981, with others following in 1984 and 1985. In 2010, Dr. Harrison Slater, the adopted son of Paul Doguereau, once again launched the piano competition as an international event for the 2010 Chopin year (200th anniversary of his birth[7]). Previous winners have included Peter Orth, David Korevaar and Robert Taub. The 2010 competition proved to be the last with the death of Dr. Harrison Slater Wignall in 2017.
Boston International Piano Competition
Notes[edit]
- ^ abcdeSlater, Harrison Gradwell, 'Behind Closed Doors', Keyboard Classics, 1987
- ^Boston Globe, 7-Nov-1958
- ^ abNew York Times, Obituary, 9-Mar-2000
- ^Associated Press, Obituary, 5-Mar-2000
- ^Richard Dyer, 'Farewell to a Legend', The Boston Globe, 10-Mar-2000
- ^The Boston Herald, Obituary, 3-March-2000
- ^'Biography'. www.chopin.pl. Archived from the original on April 23, 2009. Retrieved 2009-04-30.CS1 maint: discouraged parameter (link)
8. https://www.burlingtoncountytimes.com/article/20170416/obituaries/304169774
Links[edit]
| Wikimedia Commons has media related to Fanny Peabody Mason. |
| Wikimedia Commons has media related to Paul Doguereau. |
| Wikimedia Commons has media related to Harrison Slater. |